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Share via Email Crofts: David Woolfall "Behind the title of ghostwriter, I could converse with kings and billionaires as easily as whores and the homeless, go backstage with rock stars and actors.
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I could stick my nose into everyone else's business and ask all the impertinent questions I wanted to. At the same time, I could also live the pleasant life of ghostwriting companies uk map writer… " Next week, in an exceedingly rare departure from a lifetime of tight-lipped professional discretion, Andrew Crofts, one of Britain's most invisible and yet successful writers, a bestseller you will never have heard of, will step out of the shadows and lift the veil on a trade that's almost as old as that other ancient calling.
With a bit of skirt-lifting, and more than a hint of saucy revelations, Confessions of a Ghostwriter will be a timely publication.
There's an old saying that you should never judge a book by its cover. Today, perhaps, that conventional wisdom has rarely had more meaning. To a degree that might astonish the reading public, a significant percentage of any current bestseller list will not have been written by the authors whose names appear on the jackets.
Among the many mysteries of the British book world, none is quite so opaque as the life of the ghostwriter, the invisible man or woman who fulfils the vanity of those who want their name on the cover of a book but who, for the life of them, cannot write.
You may not know it, but literary ghosts are everywhere. In this golden age of reading, publishers desperate for copper-bottomed commercial titles in bestselling genres — misery memoir, sporting lives and celebrity autobiography — will not hesitate to sign up surrogate authors.
Sometimes, there is no deception. Keith Richards's Life was written by James Fox. Katie Price aka Jordan boasts that she does not do her own typing, and relied on Rebecca Farnworth to launch her career as a novelist with Angel.
Further down the food chain, even the infuriating meerkat from the comparethemarket.
Ghostwriting in the English-speaking world is big business. The term was coined by an American, Christy Walsh, who set up the Christy Walsh Syndicate in to exploit the literary output of America's sporting heroes.
Walsh not only commissioned his ghosts, he imposed a strict code of conduct on their pallid lives. The acknowledgments page of many ghosted books will thank partners, children, even family pets, before making a discreet, sometimes grudging, nod to the invisible man or woman who quarried the angel from the marble.
Alternatively, and more transparently, the book will be credited "as told to", or "written with", or "edited by". Those innocuous phrases often mask a world of private pain: The ghost's world may be one of jeopardy, but it's probably less perilous than it is depicted in Robert Harris's thriller The Ghosta book credited by many with outing the ghost's tradecraft.
As with any book, the struggles of the ghosted book are all to do with love and money. First, there's the inevitable contract tussle. Often, battles over the money pale into insignificance next to the titanic clash of egos involved in taking on another's voice and character.
Some ghosts, who generally speak on conditions of anonymity, report that the subject they approach with utter dread is the fragile personality with pretensions to authorship. Who, after all, is not vulnerable to the tug of amour-propre?
The ghost, who starts out as a hybrid of therapist, muse and friend, enters a psychological minefield. Accordingly, the ghost is advised never to forget that, at the end of the day, he or she ranks somewhere between a valet and a cleaner.
I recall, some years ago, a female pop star attending a book trade prize-giving for which her ghosted bestselling memoir had been shortlisted. Before this honour, she boasted she hadn't even opened, still less actually read, the book that bore her name.
When she duly won, she left her ghost at the table and graciously collected her prize, all smiles, modesty and gratitude, the model author. When she returned to her publisher's table, the woman who had actually written the book reached out, instinctively, to touch the trophy.
The star snatched it back, clouting her ghost across the cheek to remind her who was boss. When you pay the piper, you call the tune. Crofts has written some 80 books, sold more than 10m copies and appeared a dozen times in UK bestseller lists.
In a rare interview with the Observer, Crofts described some 40 years of ghosting. An easygoing, youthful man in his early 60s, Crofts was educated at Lancing College, but says he was "too arrogant" for university, and stumbled into ghostwriting because, he says, "I didn't want to have a permanent job".
Ghosts, notes Crofts, lead episodic lives: You get the commission, have the adventure — anywhere from a palace to a brothel — and return to the security of your own home.Academic Ghostwriting Service.
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Best professional online esl school essay ghostwriting for hire uk essay writer company is at your service. Home. Company. A ghostwriter is hired to write literary or journalistic works, speeches, or other texts that are officially credited to another person as the vetconnexx.comities, executives, participants in timely news stories, and political leaders often hire ghostwriters to draft or edit autobiographies, memoirs, magazine articles, or other written vetconnexx.com music, ghostwriters are often used to write.
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